Synopsis - A young F.B.I. cadet must receive the help of an incarcerated and manipulative cannibal killer to help catch another serial killer, a madman who skins his victims
genres - Crime
Tomatometers - 9,2 / 10
1162483 vote
Runtime - 1Hour 58 Minutes
Countries - USA

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The silence of the lambs earns its prestigious distinction as the third movie ever to sweep the big five at the Oscars. Foster plays young but exceptional Clarice Starling, who in efforts to hunt down a serial killer holding a woman hostage, must interview another such psychopath. The mind of former psychiatrist Dr. Hannibal Lecter is twisted but brillant, and may hold the key to the mind of the man the FBI is looking in order to get at this information and earn his trust, Clarice must use her only bargaining chip: The revelations of her own deepest fears and vulnerabilities. Truly creepy, smart and astoundingly good, this movie deserves the hype. A must see.

I loved the mystery progression, every single new bit of clue got me trying really hard to figure everything out. And that last segment was so tense I got a sore throath. Loved it.

This movie sets the bar. From the acting to editing, from the score to the cinematography, there isn't an aspect of the movie that I'd change, nor is there an aspect that does not stay with me for hours and days after I watch the film.
Hopkins puts on a clinic. The brilliance of his performance is his ability to captivate the viewer and Agent Starling with his gifts of psychological study and underlying aristocratic being while also delving ever so suddenly into moments of sheer lunacy. He lets the animal out of the cage so flawlessly and so momentarily that its just amazing to realize that its all an act.
Then there are the minute details, and side characters. I love Demme's underlying 'woman in a man's world' theme that he never overtly introduces. Instead, he just puts Foster in these great scenes, the best of which is just before she examines the body found in W. Virginia, where she is left in a room with a dozen W. Virginia state cops. Classic. Then there are the characters, like the moth experts or the latest victim's distraught father who lets Foster into his home to examine the victim's bedroom or the cops who try to catch Hannibal when he escapes in Memphis. All are peripheral characters, but they all resonate, they all somehow fit perfectly. I cant explain it, but nothing takes away, everything just adds to this movie, and it truly will be one of my favorites for as long as I live.

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